Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 5
... spirit of the age in which they were written . The plan was inspired by the desire to break away from the usual annotated edition of English classics and to provide a series of books illustrating some of the chief developments in ...
... spirit of the age in which they were written . The plan was inspired by the desire to break away from the usual annotated edition of English classics and to provide a series of books illustrating some of the chief developments in ...
الصفحة 20
... spirit was perceived , and from the study of his work there arose also a new conception of the function of the critic . Henceforth the critic was to be regarded , not so much as a judge , still less as a picker - out of faults , but ...
... spirit was perceived , and from the study of his work there arose also a new conception of the function of the critic . Henceforth the critic was to be regarded , not so much as a judge , still less as a picker - out of faults , but ...
الصفحة 24
... spirit . " ( Letters on Chivalry , xii . ) The new spirit showed itself simultaneously in the substance and in the form of literature , and one of its most obvious manifestations was in the change that came about in the con- ception of ...
... spirit . " ( Letters on Chivalry , xii . ) The new spirit showed itself simultaneously in the substance and in the form of literature , and one of its most obvious manifestations was in the change that came about in the con- ception of ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing