Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 14
... style of the domestic building of the Queen Anne period , with its variety and simple ornament , though influenced ... styles ranging from Regency classicism to revived Gothic - gave birth to little art which sprang naturally from the ...
... style of the domestic building of the Queen Anne period , with its variety and simple ornament , though influenced ... styles ranging from Regency classicism to revived Gothic - gave birth to little art which sprang naturally from the ...
الصفحة 31
... style , but rather the academic Palladian style sponsored by Burlington which remained until the end of the century the dominant mode of building for the houses of the wealthy and for public purposes . It was in this ' correct ' style ...
... style , but rather the academic Palladian style sponsored by Burlington which remained until the end of the century the dominant mode of building for the houses of the wealthy and for public purposes . It was in this ' correct ' style ...
الصفحة 209
... style . ' His con- ception of beauty is an attempt to bridge the gulf between sub- jective and objective theories ... style ' — the style in which Michelangelo is superior to all other masters . While showing the limitations of the Rules ...
... style . ' His con- ception of beauty is an attempt to bridge the gulf between sub- jective and objective theories ... style ' — the style in which Michelangelo is superior to all other masters . While showing the limitations of the Rules ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing