Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 11
... tion ! " Perhaps few of those who speak thus would have cared to live in eighteenth - century England , with its highway- men and press - gangs , its lack of sanitation and frequent epidemics , its gin - shops , public executions , and ...
... tion ! " Perhaps few of those who speak thus would have cared to live in eighteenth - century England , with its highway- men and press - gangs , its lack of sanitation and frequent epidemics , its gin - shops , public executions , and ...
الصفحة 115
... tion , but through the passions , there the liberty of transgressing Nature , I mean the real powers and properties of human nature , is infinitely restrained ; and poetical truth is , under these circum- stances , almost as severe a ...
... tion , but through the passions , there the liberty of transgressing Nature , I mean the real powers and properties of human nature , is infinitely restrained ; and poetical truth is , under these circum- stances , almost as severe a ...
الصفحة 164
... tion . ' Tis the inward beauty of the body . And when the harmony and just measures of the rising pulses , the circulating humours , and the moving airs or spirits , are disturbed or lost , deformity enters , and with it , calamity and ...
... tion . ' Tis the inward beauty of the body . And when the harmony and just measures of the rising pulses , the circulating humours , and the moving airs or spirits , are disturbed or lost , deformity enters , and with it , calamity and ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing