Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 41
... truth implied in nature , a truth capable of being seized by the imagination of the artist and by the taste of the enlightened spectator . Reynolds's repeated declarations that the aim of art was to represent this ideal beauty , and ...
... truth implied in nature , a truth capable of being seized by the imagination of the artist and by the taste of the enlightened spectator . Reynolds's repeated declarations that the aim of art was to represent this ideal beauty , and ...
الصفحة 114
... truth : all she allows us to look for , is poetical truth ; a very slender thing indeed , and which the poet's eye , when rolling in its finest frenzy , can but just lay hold of . To speak in the philosophic language of Mr Hobbes , it ...
... truth : all she allows us to look for , is poetical truth ; a very slender thing indeed , and which the poet's eye , when rolling in its finest frenzy , can but just lay hold of . To speak in the philosophic language of Mr Hobbes , it ...
الصفحة 164
... truth or beauty of every figure or statue is measured from the perfection of Nature in her just adapting of every limb and proportion to the activity , strength , dexterity , life and vigour of the particular species or animal designed ...
... truth or beauty of every figure or statue is measured from the perfection of Nature in her just adapting of every limb and proportion to the activity , strength , dexterity , life and vigour of the particular species or animal designed ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing