Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 83
الصفحة 460
... Greek sculptor rejects drapery as a useless and embarrassing load , to make way for human nature ; and in like manner the Greek poet emancipates the human personages he brings forward from the equally useless constraint of decorum , and ...
... Greek sculptor rejects drapery as a useless and embarrassing load , to make way for human nature ; and in like manner the Greek poet emancipates the human personages he brings forward from the equally useless constraint of decorum , and ...
الصفحة 554
... Greek sorrow , and therefore it is at one and the same time so gentle and so deep . When an older person sees a ... Greek tragedy , must myself live in the Greek consciousness . Hence , it is certainly often only an affectation when so ...
... Greek sorrow , and therefore it is at one and the same time so gentle and so deep . When an older person sees a ... Greek tragedy , must myself live in the Greek consciousness . Hence , it is certainly often only an affectation when so ...
الصفحة 795
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
39 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write