Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 95
... Plautus or Naevius . were to bring Publius and Cneius Scipio on the comic stage , or as if Caecilius were to caricature Cato . " And then a little after he goes on : " Though our Twelve Tables attached the penalty of death only to a ...
... Plautus or Naevius . were to bring Publius and Cneius Scipio on the comic stage , or as if Caecilius were to caricature Cato . " And then a little after he goes on : " Though our Twelve Tables attached the penalty of death only to a ...
الصفحة 141
... Plautus . I would limit this generalization of course to those plays which employ Greek characters and the Greek dress , for the Romans have admitted at will the dignified toga and trabea . The wanton characters of the satyric plays are ...
... Plautus . I would limit this generalization of course to those plays which employ Greek characters and the Greek dress , for the Romans have admitted at will the dignified toga and trabea . The wanton characters of the satyric plays are ...
الصفحة 198
... Plautus from my study that they may not cry out at me ; for truth , even in dumb books , is wont to call aloud ; and I write in accordance with that art which they devised who aspired to the applause of the crowd ; for , since the crowd ...
... Plautus from my study that they may not cry out at me ; for truth , even in dumb books , is wont to call aloud ; and I write in accordance with that art which they devised who aspired to the applause of the crowd ; for , since the crowd ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write