Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 71
الصفحة 405
... Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom . It was said of Euripides ...
... Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom . It was said of Euripides ...
الصفحة 589
... Shakespeare drops a handkerchief , and the same or greater effects follow . Lear is the most tremendous effort of Shakespeare as a poet ; Hamlet as a philosopher or mediator ; and Othello is the union of the two . There is something ...
... Shakespeare drops a handkerchief , and the same or greater effects follow . Lear is the most tremendous effort of Shakespeare as a poet ; Hamlet as a philosopher or mediator ; and Othello is the union of the two . There is something ...
الصفحة 590
... Shakespeare never intended him for a buffoon , etc. Another excellence of Shakespeare in which no writer equals him , is in the language of nature . So correct is it , that we can see ourselves in every page . The style and manner have ...
... Shakespeare never intended him for a buffoon , etc. Another excellence of Shakespeare in which no writer equals him , is in the language of nature . So correct is it , that we can see ourselves in every page . The style and manner have ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write