Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 124
... better suited to intricate plot complications and are more successful when double than those which end unhappily ; the latter are much better simple rather than double . By " simple " I do not mean the opposite of complex ; rather , I ...
... better suited to intricate plot complications and are more successful when double than those which end unhappily ; the latter are much better simple rather than double . By " simple " I do not mean the opposite of complex ; rather , I ...
الصفحة 172
... better spend his time in them than in this . Secondly , that it is the mother of lies . Thirdly , that it is the nurse of abuse , infecting us with many pestilent desires , with a siren's sweetness drawing the mind to the serpent's tail ...
... better spend his time in them than in this . Secondly , that it is the mother of lies . Thirdly , that it is the nurse of abuse , infecting us with many pestilent desires , with a siren's sweetness drawing the mind to the serpent's tail ...
الصفحة 342
... better without words . Words are a sort of heavy baggage that were better out of the way at the push of action , especially in his bombast circumstance , where the words and action are seldom akin , generally are inconsistent , at cross ...
... better without words . Words are a sort of heavy baggage that were better out of the way at the push of action , especially in his bombast circumstance , where the words and action are seldom akin , generally are inconsistent , at cross ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write