Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 130
... common and more illustrious . But thoughts in simple address are plain , common , insig- nificant , and taken from insignificant things . " There is a further difference between the thoughts of political and comic discourse and this ...
... common and more illustrious . But thoughts in simple address are plain , common , insig- nificant , and taken from insignificant things . " There is a further difference between the thoughts of political and comic discourse and this ...
الصفحة 468
... ( common ) all that does not speak to the mind , of which all the interest is addressed only to the senses . There are , no doubt , an infinite number of things vulgar in themselves from their material and subject . But as the vulgarity ...
... ( common ) all that does not speak to the mind , of which all the interest is addressed only to the senses . There are , no doubt , an infinite number of things vulgar in themselves from their material and subject . But as the vulgarity ...
الصفحة 469
... common in being not only something nega- tive , a simple lack of inspiration or nobleness , but something positive ... common can be found in a well - born and well - bred man , who may think and act in a common manner if he has only ...
... common in being not only something nega- tive , a simple lack of inspiration or nobleness , but something positive ... common can be found in a well - born and well - bred man , who may think and act in a common manner if he has only ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write