Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 85
الصفحة 86
... eyes is the crowning sin . What is there offensive to God which is not God's ? But in offending Him , it ceases to be His ; and in ceasing to be His , it is in His eyes an offending thing . Man himself , guilty as he is of every ...
... eyes is the crowning sin . What is there offensive to God which is not God's ? But in offending Him , it ceases to be His ; and in ceasing to be His , it is in His eyes an offending thing . Man himself , guilty as he is of every ...
الصفحة 215
... eyes , skimming over it too quickly , for in almost the same instant the image appears and is gone , find nothing pleasurable . Thus , with the poem , which is to the memory as the object is to the eye , the mind takes delight neither ...
... eyes , skimming over it too quickly , for in almost the same instant the image appears and is gone , find nothing pleasurable . Thus , with the poem , which is to the memory as the object is to the eye , the mind takes delight neither ...
الصفحة 573
... eyes ? If not , it certainly does something else : it hurts the actor's eyes . The footlights hit the retina at an angle from which it is usually shielded ( except in sailors who must look at the sunlight reflected in the water ) , and ...
... eyes ? If not , it certainly does something else : it hurts the actor's eyes . The footlights hit the retina at an angle from which it is usually shielded ( except in sailors who must look at the sunlight reflected in the water ) , and ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
39 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write