Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 679
... fact is that the spectator , caught up and carried along by the story , is not shocked by anything . He gives no thought whatsoever to the time that has passed . Your Parisian spectator sees Agamemnon awaken Arcas at exactly seven o ...
... fact is that the spectator , caught up and carried along by the story , is not shocked by anything . He gives no thought whatsoever to the time that has passed . Your Parisian spectator sees Agamemnon awaken Arcas at exactly seven o ...
الصفحة 685
... fact . We are a historian , not a critic . Whether the fact gives pleasure or the reverse matters little : it is a fact ! Let us resume , therefore , and try to demonstrate that modern genius springs from the fruitful union of the ...
... fact . We are a historian , not a critic . Whether the fact gives pleasure or the reverse matters little : it is a fact ! Let us resume , therefore , and try to demonstrate that modern genius springs from the fruitful union of the ...
الصفحة 872
... fact are identical and the world is remade exactly after the fashion of the heart's desire or they may yield some greater or less allegiance to fact ; but they must always reconcile us in one way or another to the representation which ...
... fact are identical and the world is remade exactly after the fashion of the heart's desire or they may yield some greater or less allegiance to fact ; but they must always reconcile us in one way or another to the representation which ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write