Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 526
... idea of each epoch always finds its appropriate and adequate form ; and these are what we designate as the special forms of art . The imper- fection or the perfection can consist only in the degree of relative truth which belongs to the ...
... idea of each epoch always finds its appropriate and adequate form ; and these are what we designate as the special forms of art . The imper- fection or the perfection can consist only in the degree of relative truth which belongs to the ...
الصفحة 527
... idea itself , because there is perfect fusion , must present the same char- acter . Only the finite spirit is able to unite itself with external mani- festation so as to form an indissoluble unity . When the idea of beauty seizes itself ...
... idea itself , because there is perfect fusion , must present the same char- acter . Only the finite spirit is able to unite itself with external mani- festation so as to form an indissoluble unity . When the idea of beauty seizes itself ...
الصفحة 884
... idea . The root - idea is abstract , because it is the sum - total of many experiences . He cannot be satisfied until he has turned it into a living event . The root - idea is the beginning of the process . The next step is the dis ...
... idea . The root - idea is abstract , because it is the sum - total of many experiences . He cannot be satisfied until he has turned it into a living event . The root - idea is the beginning of the process . The next step is the dis ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write