Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 74
الصفحة 140
... language is that of everyday life . Tragedy , on the other hand , employs kings and princes , whose affairs are those of the city , the fortress , and the camp . A tragedy opens more tranquilly than a comedy , but the outcome is ...
... language is that of everyday life . Tragedy , on the other hand , employs kings and princes , whose affairs are those of the city , the fortress , and the camp . A tragedy opens more tranquilly than a comedy , but the outcome is ...
الصفحة 202
... language offend be- cause of exquisite words ; for , if one is to imitate those who speak , it should not be by the language of Panchaia , of the Metaurus , of hippo- griffs , demigods , and centaurs . 23. If the king should speak ...
... language offend be- cause of exquisite words ; for , if one is to imitate those who speak , it should not be by the language of Panchaia , of the Metaurus , of hippo- griffs , demigods , and centaurs . 23. If the king should speak ...
الصفحة 403
... Language 1755 Comedy . A dramatic representation of the lighter faults of mankind . In every scene some moral let it teach , And , if it can , at once both please and preach . —Pope.1 Critic . A man skilled in the art of judging ...
... Language 1755 Comedy . A dramatic representation of the lighter faults of mankind . In every scene some moral let it teach , And , if it can , at once both please and preach . —Pope.1 Critic . A man skilled in the art of judging ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
39 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write