Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 85
الصفحة 179
... manner of utterance more eloquent and rhetorical than the ordinary prose which we use in our daily talk because it is decked and set out with all manner of fresh colors and figures , which makes that it sooner inveigles the judgment of ...
... manner of utterance more eloquent and rhetorical than the ordinary prose which we use in our daily talk because it is decked and set out with all manner of fresh colors and figures , which makes that it sooner inveigles the judgment of ...
الصفحة 468
... manner or with grandeur ; in a common manner if he reproduce the merely accidental details with the same care as the essential features , if he neglect the great to carry out the minutiae curiously . He does it grandly if he know how to ...
... manner or with grandeur ; in a common manner if he reproduce the merely accidental details with the same care as the essential features , if he neglect the great to carry out the minutiae curiously . He does it grandly if he know how to ...
الصفحة 469
... manner if he has only mediocre faculties . A man acts in a common manner when he is only taken up with his own interest , and it is in this that he is in opposition with the really noble man , who , when necessary , knows how to forget ...
... manner if he has only mediocre faculties . A man acts in a common manner when he is only taken up with his own interest , and it is in this that he is in opposition with the really noble man , who , when necessary , knows how to forget ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
39 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write