Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 66
الصفحة 487
... merely members of a family or merely members of a state ; for , after all , the only point is to get a conflict which admits of no solution , and this may arise from an antagonistical position in any relation whatever , provided a ...
... merely members of a family or merely members of a state ; for , after all , the only point is to get a conflict which admits of no solution , and this may arise from an antagonistical position in any relation whatever , provided a ...
الصفحة 496
... merely the first external foundation of the form ; and that is dialogue . But the characters may express thoughts and sentiments without operating any change on each other , and so leave the minds of both in exactly the same state in ...
... merely the first external foundation of the form ; and that is dialogue . But the characters may express thoughts and sentiments without operating any change on each other , and so leave the minds of both in exactly the same state in ...
الصفحة 584
... merely because it is distinguished from prose by meter , or by rhyme , or by both conjointly . In this , the lowest ... mere super- addition of meter , with or without rhyme , entitle these to the name of poems ? The answer is that ...
... merely because it is distinguished from prose by meter , or by rhyme , or by both conjointly . In this , the lowest ... mere super- addition of meter , with or without rhyme , entitle these to the name of poems ? The answer is that ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write