Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 125
... necessary . The other parts are much more necessary , because without them Comedy cannot even be written . In composing a comedy it is first necessary to invent the matter which is to be written ; this comprises the Plot ( fabula ) ...
... necessary . The other parts are much more necessary , because without them Comedy cannot even be written . In composing a comedy it is first necessary to invent the matter which is to be written ; this comprises the Plot ( fabula ) ...
الصفحة 126
... necessary . Not every speech expresses Character , as , for example , speeches in math- ematics , medicine , physiology , dialectics . Since it is necessary to express thoughts by means of speech ( oratio ) , it is therefore necessary ...
... necessary . Not every speech expresses Character , as , for example , speeches in math- ematics , medicine , physiology , dialectics . Since it is necessary to express thoughts by means of speech ( oratio ) , it is therefore necessary ...
الصفحة 465
... necessary ( conditionally necessary ) must excite pleasure . . . . Thus an act of virtue judged by the moral sense - by reason - will give us as its only satisfac- tion the feeling of approbation , because reason can never find more ...
... necessary ( conditionally necessary ) must excite pleasure . . . . Thus an act of virtue judged by the moral sense - by reason - will give us as its only satisfac- tion the feeling of approbation , because reason can never find more ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write