Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 472
... once tasted what is excellent , they will , in the end , insist on having it supplied to them . It is sometimes objected that the poet may labor according to an ideal— that the critic may judge from ideas , but that mere executive art ...
... once tasted what is excellent , they will , in the end , insist on having it supplied to them . It is sometimes objected that the poet may labor according to an ideal— that the critic may judge from ideas , but that mere executive art ...
الصفحة 625
... once said , she cannot carry them out . When I look at a landscape I cannot help seeing all its defects . It is fortunate for us , however , that Nature is so imperfect , as otherwise we should have had no art at all . Art is our ...
... once said , she cannot carry them out . When I look at a landscape I cannot help seeing all its defects . It is fortunate for us , however , that Nature is so imperfect , as otherwise we should have had no art at all . Art is our ...
الصفحة 761
... once spoken , are dead and function only at the moment when they are uttered , that a form , once it has served , cannot be used again and asks only to be replaced by another , and that the theater is the only place in the world where a ...
... once spoken , are dead and function only at the moment when they are uttered , that a form , once it has served , cannot be used again and asks only to be replaced by another , and that the theater is the only place in the world where a ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write