Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 93
الصفحة 51
... poem . The Epic has here an advantage , and one that conduces to grandeur of effect , to diverting the mind of the hearer , and relieving the story with varying episodes . For sameness of incident soon produces satiety , and makes ...
... poem . The Epic has here an advantage , and one that conduces to grandeur of effect , to diverting the mind of the hearer , and relieving the story with varying episodes . For sameness of incident soon produces satiety , and makes ...
الصفحة 245
... poem being made for pleasure , it ought not to weary and fatigue the mind , and it must not likewise be so short as that the spectators go away with an opinion of not having been well nor enough diverted . In all this , experience is ...
... poem being made for pleasure , it ought not to weary and fatigue the mind , and it must not likewise be so short as that the spectators go away with an opinion of not having been well nor enough diverted . In all this , experience is ...
الصفحة 247
... poem could not be called a Tragedy if the catastrophe did not contain the death of the chief persons in the play . But they are mistaken , that word in its true signification meaning nothing else but a magnificent , serious , grave poem ...
... poem could not be called a Tragedy if the catastrophe did not contain the death of the chief persons in the play . But they are mistaken , that word in its true signification meaning nothing else but a magnificent , serious , grave poem ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write