Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 94
الصفحة 32
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
الصفحة 840
... poet as a person but of the creative process that moves him . When the focus of interest shifts to the latter , the poet comes into the picture only as a reacting subject . This is immediately evident in our second category of works ...
... poet as a person but of the creative process that moves him . When the focus of interest shifts to the latter , the poet comes into the picture only as a reacting subject . This is immediately evident in our second category of works ...
الصفحة 842
... poet who identifies with the creative process . For should it turn out that the apparently conscious and purposeful manner of composition is a subjective illusion of the poet , then his work would possess symbolic qualities that are ...
... poet who identifies with the creative process . For should it turn out that the apparently conscious and purposeful manner of composition is a subjective illusion of the poet , then his work would possess symbolic qualities that are ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write