Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 91
الصفحة 32
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
الصفحة 456
... poetic end , that is to say it represents an action to move us , and to charm our souls by the medium of this emotion . If , therefore , a matter being given , tragedy treats it con- formably with this poetic end , which is proper to it ...
... poetic end , that is to say it represents an action to move us , and to charm our souls by the medium of this emotion . If , therefore , a matter being given , tragedy treats it con- formably with this poetic end , which is proper to it ...
الصفحة 782
... Poetic art can absolutely not create the genuine art - work- and this is only such an one as is brought to direct physical manifestment— without those arts to which the physical show belongs directly . Thought , that mere phantom of ...
... Poetic art can absolutely not create the genuine art - work- and this is only such an one as is brought to direct physical manifestment— without those arts to which the physical show belongs directly . Thought , that mere phantom of ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write