Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 87
الصفحة 129
... represented according to necessity . If , however , the persons are new and have been created for the first time by the poet himself , their characters should be represented according to probability . As the poet under- stands and can ...
... represented according to necessity . If , however , the persons are new and have been created for the first time by the poet himself , their characters should be represented according to probability . As the poet under- stands and can ...
الصفحة 274
... represented upon it were examples of the greatest misery and subjects but of ordinary virtues . So great was their desire to lament that they represented fewer virtues than misfortunes , lest a soul raised to the admiration of heroes ...
... represented upon it were examples of the greatest misery and subjects but of ordinary virtues . So great was their desire to lament that they represented fewer virtues than misfortunes , lest a soul raised to the admiration of heroes ...
الصفحة 455
... represented , of the character , etc. — that is , their conformity with the nature of our mind , a conformity which alone determines our sympathy - will not be recognized . If we do not feel that we ourselves in similar circumstances ...
... represented , of the character , etc. — that is , their conformity with the nature of our mind , a conformity which alone determines our sympathy - will not be recognized . If we do not feel that we ourselves in similar circumstances ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write