Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 73
الصفحة 365
... spirit of the French whoring to the fury of the Dutch drinking , so that the poets who writ immediately after the Restoration were obliged to humor the depraved tastes of their audience . . . . The spirit of libertinism which came in ...
... spirit of the French whoring to the fury of the Dutch drinking , so that the poets who writ immediately after the Restoration were obliged to humor the depraved tastes of their audience . . . . The spirit of libertinism which came in ...
الصفحة 472
... spirit to the free play of all its faculties . . . . Art has for its object not merely to afford a transient pleasure , to excite to a momentary dream of liberty ; its aim is to make us absolutely free ; and this it accomplishes by ...
... spirit to the free play of all its faculties . . . . Art has for its object not merely to afford a transient pleasure , to excite to a momentary dream of liberty ; its aim is to make us absolutely free ; and this it accomplishes by ...
الصفحة 527
... spirit cannot rest with this form , which is not its com- plete realization . To reach this perfect realization , spirit must pass be- yond the classic form , must arrive at a pure spirituality , which , returning upon itself , descends ...
... spirit cannot rest with this form , which is not its com- plete realization . To reach this perfect realization , spirit must pass be- yond the classic form , must arrive at a pure spirituality , which , returning upon itself , descends ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write