Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 75
الصفحة 363
... stage in general ought to be commended , in the first chapters of his book he pretends to show cause why the English stage ought to be reformed , and in the sixth and last chapter he pretends to prove by authority that no stage ought to ...
... stage in general ought to be commended , in the first chapters of his book he pretends to show cause why the English stage ought to be reformed , and in the sixth and last chapter he pretends to prove by authority that no stage ought to ...
الصفحة 441
Bernard Frank Dukore, Bernard F. Dukore. state unconsciously defended the stage , when he said so , in its noblest aspect . The uncertain nature of political events , rendering religion a neces- sity , also demands the stage as a moral ...
Bernard Frank Dukore, Bernard F. Dukore. state unconsciously defended the stage , when he said so , in its noblest aspect . The uncertain nature of political events , rendering religion a neces- sity , also demands the stage as a moral ...
الصفحة 444
... stage in showing man and his secret motives . The great of the world ought to be especially grateful to the stage , for it is here alone that they hear the truth . Not only man's mind , but also his intellectual culture , has been pro ...
... stage in showing man and his secret motives . The great of the world ought to be especially grateful to the stage , for it is here alone that they hear the truth . Not only man's mind , but also his intellectual culture , has been pro ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write