Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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النتائج 1-3 من 68
الصفحة 979
... theatre , how it differs from the other art forms , and what it is that makes it irreplaceable . Has your research led you to a definition ? What does the word theatre mean ? This is a question we often come up against , and one to ...
... theatre , how it differs from the other art forms , and what it is that makes it irreplaceable . Has your research led you to a definition ? What does the word theatre mean ? This is a question we often come up against , and one to ...
الصفحة 980
... theatre . And if the actor possesses a certain charm which can take in the audience , it strengthens him in his conviction . To the stage - designer , the theatre is above all a plastic art and this can have positive consequences ...
... theatre . And if the actor possesses a certain charm which can take in the audience , it strengthens him in his conviction . To the stage - designer , the theatre is above all a plastic art and this can have positive consequences ...
الصفحة 982
... theatre exist without an audience ? At least one spectator is needed to make it a performance . So we are left with the actor and the spectator . We can thus define the theatre as " what takes place between spectator and actor . ” All ...
... theatre exist without an audience ? At least one spectator is needed to make it a performance . So we are left with the actor and the spectator . We can thus define the theatre as " what takes place between spectator and actor . ” All ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write