Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 من الصفحات |
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الصفحة 22
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be — an imitation of things as they are , or as they appear— of appearance or of reality ? Of ...
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be — an imitation of things as they are , or as they appear— of appearance or of reality ? Of ...
الصفحة 59
... things conducive to safety , accompanied by an idea that they are near ; and of things to be feared , that they either do not exist , or are at a distance . But these are circumstances inspiring confidence ; to have danger afar off ...
... things conducive to safety , accompanied by an idea that they are near ; and of things to be feared , that they either do not exist , or are at a distance . But these are circumstances inspiring confidence ; to have danger afar off ...
الصفحة 192
... things in a young writer which yet , if he continues in , I cannot but justly hate him for the same . There is a time to be given all things for maturity , and that even your country husbandman can teach , who to a young plant will not ...
... things in a young writer which yet , if he continues in , I cannot but justly hate him for the same . There is a time to be given all things for maturity , and that even your country husbandman can teach , who to a young plant will not ...
المحتوى
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions Epic poetry esthetic Euripides excite expression eyes fear feeling fiction French FRIEND give gods Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes Pierre Corneille pity Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write