Shakespearean Pragmatism: Market of His Time
University of Chicago Press, 15/11/1993 - 266 من الصفحات
Just as Shakespeare's theater was an economic gamble, subject to the workings of a market, so the plays themselves submit actions, persons, and motives to an audience's judgment. Such a theatrical economy, Lars Engle suggests, provides a model for the way in which truth is determined and assessed in the world at large—a model much like that offered by contemporary pragmatism.
To Engle, the problems of worth, price, and value that appear so frequently in Shakespeare's works reveal a playwright dramatizing the negotiable nature of perception and belief—in short, the nature of his audience's purchase on reality. This innovative argument is the first to view Shakespeare in the context of contemporary pragmatism and to show that Shakespeare in many ways anticipated pragmatism as it has been developed in the thought of Richard Rorty, Barbara Herrnstein Smith, and others. With detailed reference to the sonnets and plays, Engle explores Shakespeare's tendency to treat knowledge, truth, and certainty as relatively stable goods within a theatrical economy of social interaction. He shows the playwright recasting kingship, aristocracy, and poetic immortality in pragmatic terms.
As attentive to history as it is to contemporary theory, this book mediates between current and traditional accounts of Shakespeare. In doing so, it offers a sweeping new account of Shakespeare's enterprise that will interest philosophers, literary theorists, and Shakespeare scholars alike.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
Certainty and Uncertainty in the Sonnets
Dramatic Pragmatism in Hamlet
Money and Moral Luck in The Merchant of Venice
Who Pays in the Henriad?
Evaluation in Troilus and Cressida
of the Roman Crowd in Coriolanus
acceptance action activity agency Antony and Cleopatra appear argue argument attempts Bassanio becomes belief calls Cambridge chapter characters Chaucer claims comes context contingency Coriolanus course Cressida criticism cultural death describing desire discourse discussion economy English evaluation exchange experience Falstaff father final Fish follow force give given gods Hamlet Henry historical human idea imagine individual instance interest involved kind less live means Merchant moral nature never nobility noble objects offers particular philosophic play political Portia position possible practical pragmatism pragmatists present question relation response Roman Rome scene seek seems sense Shakespeare Shylock situation social sonnets structures successful suggests Tale theater theory thing thou thought tion Troilus truth turn University Press York
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