Julius Caesar in Western CultureMaria Wyke John Wiley & Sons, 15/04/2008 - 384 من الصفحات This book explores the significance of Julius Caesar to different periods, societies and people from the 50s BC through to the twenty-first century.
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الصفحة ix
... Mussolini”), directed by Giovacchino Forzano Distribution of the Imperial Eagles, 1804 by Horace Vernet, after David “Nullus aut Caesar,” Punch (March 11, 1865) “Gaul to the New Caesar,” Punch (December 17, 1870) “Hail, Bush,” cover of ...
... Mussolini”), directed by Giovacchino Forzano Distribution of the Imperial Eagles, 1804 by Horace Vernet, after David “Nullus aut Caesar,” Punch (March 11, 1865) “Gaul to the New Caesar,” Punch (December 17, 1870) “Hail, Bush,” cover of ...
الصفحة xiv
... Mussolini. It is not just in Italian culture, however, that Julius Caesar has continued to hold court. Associated with a crucial turning point in the history of western civilization from republic to empire, the Roman statesman quickly ...
... Mussolini. It is not just in Italian culture, however, that Julius Caesar has continued to hold court. Associated with a crucial turning point in the history of western civilization from republic to empire, the Roman statesman quickly ...
الصفحة 5
... Mussolini; there was the 1968 version with Caesar resembling General de Gaulle – a weak old man, but the conspirators quail before him all the same; there was the 1980s presentation of a Caesar recalling Fidel Castro (played in Miami ...
... Mussolini; there was the 1968 version with Caesar resembling General de Gaulle – a weak old man, but the conspirators quail before him all the same; there was the 1980s presentation of a Caesar recalling Fidel Castro (played in Miami ...
الصفحة 21
... Mussolini or Julius II or Sixtus V.52 Sometimes it is more a matter of causes, as it was for writers under the Roman Empire and all those later Caesars – and by the time of Trajan it was common to think of Caesar, rather than Augustus ...
... Mussolini or Julius II or Sixtus V.52 Sometimes it is more a matter of causes, as it was for writers under the Roman Empire and all those later Caesars – and by the time of Trajan it was common to think of Caesar, rather than Augustus ...
الصفحة 58
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المحتوى
Part II Literary Characterization | 27 |
Part III The City of Rome | 83 |
Part IV Statecraft and Nationalism | 129 |
Part V Theatrical Performance | 203 |
Part VI Warfare and Revolution | 267 |
Afterword | 303 |
Bibliography | 324 |
Index | 352 |
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Alexander ambition American ancient military ancient Rome antiquity Antony Appian army assassination Augustus Bellum Civile biography Brutus Caes Caesar and Cleopatra Caesarian campaigns Cassius Cato century chapter Christian Cicero Cinna city’s classical clemency clementia Cleopatra comparison conquest contemporary context Corradini Cortile del Belvedere criticism culture death democracy depiction Derrida emperor empire epic essay example Fascist figure film Forum Forzano France French Gallic Gaul glory Greek Guazzoni’s hero imperial Italian Italy Jackson Julian Julius Caesar Kronia later Latin literary Lucan medieval modern Montaigne Montaigne’s murder Mussolini Napoleon Napoleon III nation Nicolaus obelisk Octavian Oranians papal Peter’s PLEBEIAN Plut Plutarch poet political Pollio Pompey pope popular president readers reading reception republican rhetoric role Roman Republic romanità Rome’s Rubicon Rufio Senate Shakespeare’s Shakespeare’s play Shaw Shaw’s Silenus soldiers story Suetonius suggests tion tradition translation triumphal tyranny Vatican Vercingetorix victory virtue writing