Julius Caesar in Western CultureMaria Wyke John Wiley & Sons, 15/04/2008 - 384 من الصفحات This book explores the significance of Julius Caesar to different periods, societies and people from the 50s BC through to the twenty-first century.
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الصفحة vi
... Rome's Imperial History at the Papal Court, ca. 1100–1300 John Osborne 7 Julius II as Second Caesar Nicholas Temple Part IV Statecraft and Nationalism 10 11 8 Imitation Gone Wrong: The “Pestilentially Ambitious” Figure of Julius Caesar ...
... Rome's Imperial History at the Papal Court, ca. 1100–1300 John Osborne 7 Julius II as Second Caesar Nicholas Temple Part IV Statecraft and Nationalism 10 11 8 Imitation Gone Wrong: The “Pestilentially Ambitious” Figure of Julius Caesar ...
الصفحة 9
... Rome, and the character of Caesar plays a function within that greater story. “What had to happen to Caesar was what had to happen” (2.116.489). It is a pity that he is destroyed, but if the story is told this way it is Rome's tragedy ...
... Rome, and the character of Caesar plays a function within that greater story. “What had to happen to Caesar was what had to happen” (2.116.489). It is a pity that he is destroyed, but if the story is told this way it is Rome's tragedy ...
الصفحة 11
... Rome's birthday but of Caesar's own successes (43.42). In one way Dio's Caesar understands the way Rome is going, for his actions and honors prefigure some of the features of the principate (and Dio is even clearer than Appian that the ...
... Rome's birthday but of Caesar's own successes (43.42). In one way Dio's Caesar understands the way Rome is going, for his actions and honors prefigure some of the features of the principate (and Dio is even clearer than Appian that the ...
الصفحة 14
... Rome because he devoted his life to becoming first in power instead (Caes. 3); it is his “lust for kingship” which ... Rome's pitiful story, not just Caesar's. Nothing could make clearer the paradox that closure is intimately connected ...
... Rome because he devoted his life to becoming first in power instead (Caes. 3); it is his “lust for kingship” which ... Rome's pitiful story, not just Caesar's. Nothing could make clearer the paradox that closure is intimately connected ...
الصفحة 49
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المحتوى
Part II Literary Characterization | 27 |
Part III The City of Rome | 83 |
Part IV Statecraft and Nationalism | 129 |
Part V Theatrical Performance | 203 |
Part VI Warfare and Revolution | 267 |
Afterword | 303 |
Bibliography | 324 |
Index | 352 |
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Alexander ambition American ancient military ancient Rome antiquity Antony Appian army assassination Augustus Bellum Civile biography Brutus Caes Caesar and Cleopatra Caesarian campaigns Cassius Cato century chapter Christian Cicero Cinna city’s classical clemency clementia Cleopatra comparison conquest contemporary context Corradini Cortile del Belvedere criticism culture death democracy depiction Derrida emperor empire epic essay example Fascist figure film Forum Forzano France French Gallic Gaul glory Greek Guazzoni’s hero imperial Italian Italy Jackson Julian Julius Caesar Kronia later Latin literary Lucan medieval modern Montaigne Montaigne’s murder Mussolini Napoleon Napoleon III nation Nicolaus obelisk Octavian Oranians papal Peter’s PLEBEIAN Plut Plutarch poet political Pollio Pompey pope popular president readers reading reception republican rhetoric role Roman Republic romanità Rome’s Rubicon Rufio Senate Shakespeare’s Shakespeare’s play Shaw Shaw’s Silenus soldiers story Suetonius suggests tion tradition translation triumphal tyranny Vatican Vercingetorix victory virtue writing