Julius Caesar in Western CultureMaria Wyke John Wiley & Sons, 15/04/2008 - 384 من الصفحات This book explores the significance of Julius Caesar to different periods, societies and people from the 50s BC through to the twenty-first century.
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الصفحة viii
... at the moment of his assassination (still from Guazzoni's Cajus Julius Caesar [1914]) 86 92 100 102 106 112 115 121 154 159 164 175 177 178 11.1 11.2 13.1 13.2 13.3 14.1 14.2 16.1 16.2 16.3 viii List of Illustrations.
... at the moment of his assassination (still from Guazzoni's Cajus Julius Caesar [1914]) 86 92 100 102 106 112 115 121 154 159 164 175 177 178 11.1 11.2 13.1 13.2 13.3 14.1 14.2 16.1 16.2 16.3 viii List of Illustrations.
الصفحة xiv
... assassination. Either by analysis, re-presentation, or direct imitation, Caesar has been and continues to be a significant term in western culture. The essays collected in this volume seek to examine important aspects of Caesar's role ...
... assassination. Either by analysis, re-presentation, or direct imitation, Caesar has been and continues to be a significant term in western culture. The essays collected in this volume seek to examine important aspects of Caesar's role ...
الصفحة 6
... it was the end that mattered most in the story, as the emperor was stirred to fury by Caesar's assassination. For him it was a “cowardly and impolitic” deed (not quite the “foul” deed that it is for Shakespeare's 6 6 Christopher Pelling.
... it was the end that mattered most in the story, as the emperor was stirred to fury by Caesar's assassination. For him it was a “cowardly and impolitic” deed (not quite the “foul” deed that it is for Shakespeare's 6 6 Christopher Pelling.
الصفحة 8
... assassination was not a good idea, that it was all a vast moral mistake, then Caesar's own story stops having much ethical interest: it is not usually a tragedy when a person is destroyed without having done anything to deserve it, it ...
... assassination was not a good idea, that it was all a vast moral mistake, then Caesar's own story stops having much ethical interest: it is not usually a tragedy when a person is destroyed without having done anything to deserve it, it ...
الصفحة 21
... assassination did much to create the world in which Augustus had to operate, so that his assassination appropriately takes up so much of what is going to be a Life of Augustus; and the tale of assassination emblematizes the dangers ...
... assassination did much to create the world in which Augustus had to operate, so that his assassination appropriately takes up so much of what is going to be a Life of Augustus; and the tale of assassination emblematizes the dangers ...
المحتوى
Part II Literary Characterization | 27 |
Part III The City of Rome | 83 |
Part IV Statecraft and Nationalism | 129 |
Part V Theatrical Performance | 203 |
Part VI Warfare and Revolution | 267 |
Afterword | 303 |
Bibliography | 324 |
Index | 352 |
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Alexander ambition American ancient military ancient Rome antiquity Antony Appian army assassination Augustus Bellum Civile biography Brutus Caes Caesar and Cleopatra Caesarian campaigns Cassius Cato century chapter Christian Cicero Cinna city’s classical clemency clementia Cleopatra comparison conquest contemporary context Corradini Cortile del Belvedere criticism culture death democracy depiction Derrida emperor empire epic essay example Fascist figure film Forum Forzano France French Gallic Gaul glory Greek Guazzoni’s hero imperial Italian Italy Jackson Julian Julius Caesar Kronia later Latin literary Lucan medieval modern Montaigne Montaigne’s murder Mussolini Napoleon Napoleon III nation Nicolaus obelisk Octavian Oranians papal Peter’s PLEBEIAN Plut Plutarch poet political Pollio Pompey pope popular president readers reading reception republican rhetoric role Roman Republic romanità Rome’s Rubicon Rufio Senate Shakespeare’s Shakespeare’s play Shaw Shaw’s Silenus soldiers story Suetonius suggests tion tradition translation triumphal tyranny Vatican Vercingetorix victory virtue writing