To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 11
الصفحة 190
a It seems to me probable ( and here I am aware I am responding subjectively to the scene ) that Hamlet continued to hold the skull as the funeral of Ophelia entered the stage . If so , what was the stagepicture !
a It seems to me probable ( and here I am aware I am responding subjectively to the scene ) that Hamlet continued to hold the skull as the funeral of Ophelia entered the stage . If so , what was the stagepicture !
الصفحة 194
In brief : the Dead Old Man in Armour who left the stage in Act I , cried out beneath the stage , and re - entered at the central climax of the play ( when Hamlet has actually carried out his mission and killed the King , only it wasn't ...
In brief : the Dead Old Man in Armour who left the stage in Act I , cried out beneath the stage , and re - entered at the central climax of the play ( when Hamlet has actually carried out his mission and killed the King , only it wasn't ...
الصفحة 195
This is not only the Players ' music , but - by association - Hamlet's . After the King has left the stage , taking his soldiers and torches with him , Hamlet calls for music : and he calls for wood - wind . A recorder is physically ...
This is not only the Players ' music , but - by association - Hamlet's . After the King has left the stage , taking his soldiers and torches with him , Hamlet calls for music : and he calls for wood - wind . A recorder is physically ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written