To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 159
Playwrights on Picket ( Written in collaboration with Margaretta D'Arcy ) D 1973 - In the autumn of 1972 the Royal Shakespeare Company decided to present the three plays that make up The Island of The Mighty - or rather about 65 per ...
Playwrights on Picket ( Written in collaboration with Margaretta D'Arcy ) D 1973 - In the autumn of 1972 the Royal Shakespeare Company decided to present the three plays that make up The Island of The Mighty - or rather about 65 per ...
الصفحة 187
As a practising Playwright , I have found that this dissociation applies to more than Shakespeare . I frequently receive letters from students who are reading one or other of my plays as part of their course : there are many queries for ...
As a practising Playwright , I have found that this dissociation applies to more than Shakespeare . I frequently receive letters from students who are reading one or other of my plays as part of their course : there are many queries for ...
الصفحة 211
At times , of course , a particular skill in the arranging of the stage - spectacle may be called for , and it may be convenient for a Director to assist the Playwright in this . But there is a lot of difference between an assistant and ...
At times , of course , a particular skill in the arranging of the stage - spectacle may be called for , and it may be convenient for a Director to assist the Playwright in this . But there is a lot of difference between an assistant and ...
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المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written