To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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النتائج 1-3 من 37
الصفحة 95
James Connolly , as a Socialist activist familiar with the ideas of Karl Marx , was impregnated with a philosophy that assumes the class - position of any individual to be the mainspring of his or her activity , and the mode of ...
James Connolly , as a Socialist activist familiar with the ideas of Karl Marx , was impregnated with a philosophy that assumes the class - position of any individual to be the mainspring of his or her activity , and the mode of ...
الصفحة 99
... under Padraic Pearse : and the main area of argument would have been the rival claims of Nationalism and Socialism . ... and we felt that none of its earlier manifestations ( such as the row between the Irish Socialist Republican ...
... under Padraic Pearse : and the main area of argument would have been the rival claims of Nationalism and Socialism . ... and we felt that none of its earlier manifestations ( such as the row between the Irish Socialist Republican ...
الصفحة 112
He becomes aware of both nationalism and socialism , falls in love , deserts . Part Two : ' Apprenticeship 1889–1896 Married to Lillie , he lives in Edinburgh and works as a dustman . Joins the Scottish Socialist Federation .
He becomes aware of both nationalism and socialism , falls in love , deserts . Part Two : ' Apprenticeship 1889–1896 Married to Lillie , he lives in Edinburgh and works as a dustman . Joins the Scottish Socialist Federation .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written