To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 98
Every time the Revolutionist Cause ( Connolly's cause ) gained ground , the Capitalist lost ground : whenever the Reformists succeeded in muffling a Revolutionary demand , a Capitalism was made the more secure in its stronghold .
Every time the Revolutionist Cause ( Connolly's cause ) gained ground , the Capitalist lost ground : whenever the Reformists succeeded in muffling a Revolutionary demand , a Capitalism was made the more secure in its stronghold .
الصفحة 128
Irrelevant details in the characters of the other personages are ignored , while their principle features - chiefly their hostility or loyalty to Ivan's cause are drawn in bold relief . Because of this , when taken individually ...
Irrelevant details in the characters of the other personages are ignored , while their principle features - chiefly their hostility or loyalty to Ivan's cause are drawn in bold relief . Because of this , when taken individually ...
الصفحة 204
And if they were , for what cause ? Henry says they must die because the French reinforcements have arrived - i.e. if the English are to fight a still vigorous remainder of the Constable's force , there is a danger that their captives ...
And if they were , for what cause ? Henry says they must die because the French reinforcements have arrived - i.e. if the English are to fight a still vigorous remainder of the Constable's force , there is a danger that their captives ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written