To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 41
الصفحة 30
а to determine what the play will say and through the mouths of which characters . Here Jonson becomes suddenly unexpected , and grotesque . His characters are monsters , their dialogue fantastical - though founded , as a good ...
а to determine what the play will say and through the mouths of which characters . Here Jonson becomes suddenly unexpected , and grotesque . His characters are monsters , their dialogue fantastical - though founded , as a good ...
الصفحة 93
It is the beginning of a ballad sung by the actor who plays John Connolly , father of our central character James . When he finishes the ballad , the actor playing his son enters , and is immediately seen setting out with his mother to ...
It is the beginning of a ballad sung by the actor who plays John Connolly , father of our central character James . When he finishes the ballad , the actor playing his son enters , and is immediately seen setting out with his mother to ...
الصفحة 144
a Some of the characters were demons with tusks instead of teeth , and ferocious whiskers . One dancer played a peacock - character , with a white human mask , a peacock head and neck protruding from around his waist , and a practicable ...
a Some of the characters were demons with tusks instead of teeth , and ferocious whiskers . One dancer played a peacock - character , with a white human mask , a peacock head and neck protruding from around his waist , and a practicable ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written