To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'ArcyEyre Methuen, 1977 - 216 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 20
الصفحة 31
... critics - they claimed to have been bored by either Jonson or Devine ( they were not quite sure which – critics are commonly unable to distinguish between the production and the script unless the play is extremely familiar , and I don't ...
... critics - they claimed to have been bored by either Jonson or Devine ( they were not quite sure which – critics are commonly unable to distinguish between the production and the script unless the play is extremely familiar , and I don't ...
الصفحة 171
... critics refused to recognise this , and went on to review the play as if the authors had never spent the last two weeks of rehearsal pacing a wet pavement outside the stage door . The one exception to this was the critic of the ...
... critics refused to recognise this , and went on to review the play as if the authors had never spent the last two weeks of rehearsal pacing a wet pavement outside the stage door . The one exception to this was the critic of the ...
الصفحة 188
... critics ; and there is the visual which follows similar patterns of continuous subconscious allusion , and which can ... criticism , and concerned to counter- balance the excesses of Bradleian character - analysis . He 188 The Matter of ...
... critics ; and there is the visual which follows similar patterns of continuous subconscious allusion , and which can ... criticism , and concerned to counter- balance the excesses of Bradleian character - analysis . He 188 The Matter of ...
المحتوى
17 | 51 |
Summer 1967 | 61 |
The Third World seen from the First New Theatre | 152 |
حقوق النشر | |
3 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actors Aldwych appeared Arden Armstrong's Last Goodnight Army artistic audience authors believe Brecht Britain British British Equity called Carnival character Chhau Chhau dances Connolly's continued course cycle dance dialogue director doubt drama dramatist Dublin English episodes Equity essays fact film French Ghost Hamlet happened Henry idea Ireland Irish James Connolly John Arden Jonson killed King Labour London Margaretta D'Arcy masks means meeting ment movement murder never official Official Sinn Fein organisation Oswald Party performance perhaps persons play Playwright political possible present Prisoners production Proinsias Mac Aonghusa recognised rehearsal Republican revolution role scene script secret play seemed Serjeant Musgrave's Dance Shakespeare social Socialist soldiers sort speeches stage stage-directions story structure style theatre theatrical theme thing trade union traditional Vietnam village W. B. Yeats whole words Workers writing written