To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 11
Of course , past twelve years , my views on various questions have undergone development . I have chosen for this collection those essays which seemed to best illustrate that development . In some matters , however , I have not changed ...
Of course , past twelve years , my views on various questions have undergone development . I have chosen for this collection those essays which seemed to best illustrate that development . In some matters , however , I have not changed ...
الصفحة 114
The stable urban conditions for theatrical development never existed . ... Later , in the second half of the seventeenth century and the beginning of the eighteenth , the developed commercial theatre of Great Britain extended itself ...
The stable urban conditions for theatrical development never existed . ... Later , in the second half of the seventeenth century and the beginning of the eighteenth , the developed commercial theatre of Great Britain extended itself ...
الصفحة 185
There was in fact a kind of dual structure to the drama of the time : the structure privately developed by the Playwright in his study , which was worked out of words , metre , metaphor and the other tools of a poet's skill ; and the ...
There was in fact a kind of dual structure to the drama of the time : the structure privately developed by the Playwright in his study , which was worked out of words , metre , metaphor and the other tools of a poet's skill ; and the ...
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المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written