To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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النتائج 1-3 من 35
الصفحة 95
It will be asked how the drama moves if it is not credited . It is credited with all the credit due to a drama ... Imitations produce pain or pleasure , not because they are taken for realities , but because they bring realities to mind ...
It will be asked how the drama moves if it is not credited . It is credited with all the credit due to a drama ... Imitations produce pain or pleasure , not because they are taken for realities , but because they bring realities to mind ...
الصفحة 102
... purpose to achieve permanent social change , how could we manage to handle him as a positive dramatic character ? ... like to quote from George Thomson's Marxism and Poetry : ' Tragedy is a specifically European form of drama .
... purpose to achieve permanent social change , how could we manage to handle him as a positive dramatic character ? ... like to quote from George Thomson's Marxism and Poetry : ' Tragedy is a specifically European form of drama .
الصفحة 117
Not only at the Abbey , but also on the boards of a number of amateur theatre - clubs ( Irish - speaking as well as English ) associated with political groups , propagandist drama was to be found . Padraic Pearse was a playwright ...
Not only at the Abbey , but also on the boards of a number of amateur theatre - clubs ( Irish - speaking as well as English ) associated with political groups , propagandist drama was to be found . Padraic Pearse was a playwright ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written