To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 16
الصفحة 134
He saw six out of fourteen , and then criticised the entire cycle , as a cycle , on the basis of less than half of it ; which was a mixed blessing , as he inevitably missed the structural development of the story .
He saw six out of fourteen , and then criticised the entire cycle , as a cycle , on the basis of less than half of it ; which was a mixed blessing , as he inevitably missed the structural development of the story .
الصفحة 136
... or else it is precisely that close examination of the entire Irish problem which the Labour Party platform refused to permit at Blackpool . One aspect of the history , for example , which was never discussed in the Conference ...
... or else it is precisely that close examination of the entire Irish problem which the Labour Party platform refused to permit at Blackpool . One aspect of the history , for example , which was never discussed in the Conference ...
الصفحة 184
There was a mutual dependence of the Actors upon the Poet , and vice versa , for the common advantage of the entire group . It is true that most Playwrights were not members of acting companies in this way ; but many of them seem to ...
There was a mutual dependence of the Actors upon the Poet , and vice versa , for the common advantage of the entire group . It is true that most Playwrights were not members of acting companies in this way ; but many of them seem to ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written