To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 19
الصفحة 104
Between ' divine force ' and ' human force ' the gap , for the artist , is negligible . Anyway , on our return to Ireland after a year in the East , we set about the new project . We decided that as so much political action was going on ...
Between ' divine force ' and ' human force ' the gap , for the artist , is negligible . Anyway , on our return to Ireland after a year in the East , we set about the new project . We decided that as so much political action was going on ...
الصفحة 116
This was an overtly political and romantic appeal to national sentiment , clearly in favour of physical force as a means of liberation . Yeats was later to hope that he had not ( with this work ) sent men out to die : in fact ...
This was an overtly political and romantic appeal to national sentiment , clearly in favour of physical force as a means of liberation . Yeats was later to hope that he had not ( with this work ) sent men out to die : in fact ...
الصفحة 204
Henry says they must die because the French reinforcements have arrived - i.e. if the English are to fight a still vigorous remainder of the Constable's force , there is a danger that their captives must be left in the rear without a ...
Henry says they must die because the French reinforcements have arrived - i.e. if the English are to fight a still vigorous remainder of the Constable's force , there is a danger that their captives must be left in the rear without a ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written