To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 89
Who gave her the idea ? I am sure that nobody did - in so many words . But there must be an atmosphere in the prison that has led her to believe that Unity Theatre is forbidden ground . Lord Stonham's response to the recent complaints ...
Who gave her the idea ? I am sure that nobody did - in so many words . But there must be an atmosphere in the prison that has led her to believe that Unity Theatre is forbidden ground . Lord Stonham's response to the recent complaints ...
الصفحة 175
They all seem to agree on one thing : that the theatre today has little or no use for the old idea of a play - text consisting of a series of speeches interspersed by a few ' stage - directions ' . Indeed so strong has become the ...
They all seem to agree on one thing : that the theatre today has little or no use for the old idea of a play - text consisting of a series of speeches interspersed by a few ' stage - directions ' . Indeed so strong has become the ...
الصفحة 188
... is a similar example - and the idea is allowed to evolve that the only way to save the theatre from its moribund state is to downgrade the script and to concentrate entirely upon the ' vital ' values of performance .
... is a similar example - and the idea is allowed to evolve that the only way to save the theatre from its moribund state is to downgrade the script and to concentrate entirely upon the ' vital ' values of performance .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written