To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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النتائج 1-3 من 35
الصفحة 94
The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first ...
The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first ...
الصفحة 180
Public houses could have been used , but surely only for rehearsing the spoken lines - entire productions would not have been set up in the snug ? But supposing the rehearsal of the spoken lines was the main need of the company ?
Public houses could have been used , but surely only for rehearsing the spoken lines - entire productions would not have been set up in the snug ? But supposing the rehearsal of the spoken lines was the main need of the company ?
الصفحة 206
The amount of text devoted ( a ) to the territorial demands before the couple are left alone ( 26 lines ) , and ( b ) to the amorous duologue ( 206 lines ) acts as a smokescreen to conceal the two crucial lines of King Henry : She is ...
The amount of text devoted ( a ) to the territorial demands before the couple are left alone ( 26 lines ) , and ( b ) to the amorous duologue ( 206 lines ) acts as a smokescreen to conceal the two crucial lines of King Henry : She is ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written