To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 23
الصفحة 97
The class conflict , in fact , can be demonstrated on a film as a true movement of masses we mean , that the audience can actually watch the masses move . This is not possible in the theatre . The theatre depends for its effectiveness ...
The class conflict , in fact , can be demonstrated on a film as a true movement of masses we mean , that the audience can actually watch the masses move . This is not possible in the theatre . The theatre depends for its effectiveness ...
الصفحة 101
We had been invited to India , in what was the centenary year of the birth of Mahatma Gandhi , by Mr Satish Kumar , a member of the Gandhian non - violence movement . He hoped , and , at the time , we also hoped , that a play by western ...
We had been invited to India , in what was the centenary year of the birth of Mahatma Gandhi , by Mr Satish Kumar , a member of the Gandhian non - violence movement . He hoped , and , at the time , we also hoped , that a play by western ...
الصفحة 121
For not even the Republican Movement itself remains at one . Since the first disastrous split over the Rising of 1916 when Eoin MacNeil was opposed to military action at that particular time , and was outmanoeuvred by Pearse ; to the ...
For not even the Republican Movement itself remains at one . Since the first disastrous split over the Rising of 1916 when Eoin MacNeil was opposed to military action at that particular time , and was outmanoeuvred by Pearse ; to the ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written