To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 27
He wrote , for example , new scenes for The Spanish Tragedy : he scorned this popular work , and let everyone know of his scorn ( which Shakespeare never did ) : but he was also deeply influenced by it . As a result of the Senecan ...
He wrote , for example , new scenes for The Spanish Tragedy : he scorned this popular work , and let everyone know of his scorn ( which Shakespeare never did ) : but he was also deeply influenced by it . As a result of the Senecan ...
الصفحة 30
The fantasy in the speech derives not from the words used but from the ideas conveyed : and Jonson's people can never stop piling ideas upon ideas until a kind of reductio ad absurdium is reached - he deliberately allows , in fact ...
The fantasy in the speech derives not from the words used but from the ideas conveyed : and Jonson's people can never stop piling ideas upon ideas until a kind of reductio ad absurdium is reached - he deliberately allows , in fact ...
الصفحة 39
This is partly a question of economics : when the State does subsidise our stages , it never gives enough , and so there is never enough time or space to ensure that everything that ought to be done is done .
This is partly a question of economics : when the State does subsidise our stages , it never gives enough , and so there is never enough time or space to ensure that everything that ought to be done is done .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written