To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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النتائج 1-3 من 23
الصفحة 15
All writers , I suppose , must make their own lists of those colleagues , alive and dead , who form for them the Jesse - tree leading back to what they take to be the original loin - spring of their art .
All writers , I suppose , must make their own lists of those colleagues , alive and dead , who form for them the Jesse - tree leading back to what they take to be the original loin - spring of their art .
الصفحة 96
At one stage , indeed , when we contemplated the task of preparing a whole series of plays about this man ( as opposed to one single play , which had been our original idea ) we felt so daunted that we had to make up a little rhyme to ...
At one stage , indeed , when we contemplated the task of preparing a whole series of plays about this man ( as opposed to one single play , which had been our original idea ) we felt so daunted that we had to make up a little rhyme to ...
الصفحة 184
There were no ' original creative ideas ' except the play itself – but there was a ' group of well - practised professionals who had at their fingertips every technique needed to make the play work . In any new play the only new element ...
There were no ' original creative ideas ' except the play itself – but there was a ' group of well - practised professionals who had at their fingertips every technique needed to make the play work . In any new play the only new element ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written