To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 124
The whole cycle was staged continuously in Liberty Hall for one major performance which lasted from Easter Saturday at noon until Easter Sunday at 2.30 pm . The intervals between the separate parts of the cycle were occupied by shorter ...
The whole cycle was staged continuously in Liberty Hall for one major performance which lasted from Easter Saturday at noon until Easter Sunday at 2.30 pm . The intervals between the separate parts of the cycle were occupied by shorter ...
الصفحة 179
... out ( from the texts themselves , and from what is known fairly be assumed - about actual production customs ) just how the Poets related themselves and their words to the three - dimensional values of the play - in - performance .
... out ( from the texts themselves , and from what is known fairly be assumed - about actual production customs ) just how the Poets related themselves and their words to the three - dimensional values of the play - in - performance .
الصفحة 188
To understand the values of performance which Shakespeare not only understood , but included among and between the lines of his scripts , we must first recognise that there are two classes of imagery in his published works .
To understand the values of performance which Shakespeare not only understood , but included among and between the lines of his scripts , we must first recognise that there are two classes of imagery in his published works .
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المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written
معلومات المراجع
| العنوان | To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
| المؤلف | John Arden |
| الناشر | Eyre Methuen, 1977 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 26 شباط (فبراير) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0413381501, 9780413381507 |
| عدد الصفحات | 216 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |