To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
من داخل الكتاب
النتائج 1-3 من 26
الصفحة 126
The great length of the cycle of plays , and their deliberately repetitive structure , made it possible to dramatise the contradictions and complexities so fully that we felt all the various objections that could be raised by particular ...
The great length of the cycle of plays , and their deliberately repetitive structure , made it possible to dramatise the contradictions and complexities so fully that we felt all the various objections that could be raised by particular ...
الصفحة 161
The following morning the writers contacted their agent , asking her to make sure the meeting was to be scheduled as soon as possible . When she communicated with the director , she discovered his attitude had hardened overnight : he ...
The following morning the writers contacted their agent , asking her to make sure the meeting was to be scheduled as soon as possible . When she communicated with the director , she discovered his attitude had hardened overnight : he ...
الصفحة 166
a the best possible presentation of their play's meaning . The Chairman also undertook to sort out the dubious circumstances surrounding the communications between British and Irish Actors ' Equity officials .
a the best possible presentation of their play's meaning . The Chairman also undertook to sort out the dubious circumstances surrounding the communications between British and Irish Actors ' Equity officials .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written