To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 133
There was , for example , no approach to us from the Abbey management , who might possibly have been expected to ask at least to look at a script ... In 1976 we were enabled to present the cycle as a series of ' rehearsed readings ...
There was , for example , no approach to us from the Abbey management , who might possibly have been expected to ask at least to look at a script ... In 1976 we were enabled to present the cycle as a series of ' rehearsed readings ...
الصفحة 176
If a collective , then it will not matter how much or how little attention is paid to scripting the play , provided the final result works , because the writer will be merely the servant of the entire group , and will write down ...
If a collective , then it will not matter how much or how little attention is paid to scripting the play , provided the final result works , because the writer will be merely the servant of the entire group , and will write down ...
الصفحة 188
... moribund state is to downgrade the script and to concentrate entirely upon the ' vital ' values of performance . ... the lines of his scripts , we must first recognise that there are two classes of imagery in his published works .
... moribund state is to downgrade the script and to concentrate entirely upon the ' vital ' values of performance . ... the lines of his scripts , we must first recognise that there are two classes of imagery in his published works .
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لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written