To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 29
... with which he helped the actors sort through piles of illegible prompt - copies and alternative versions of different scenes ' How can the theatre ever be taken seriously if writers will not trouble to look after their own scripts ?
... with which he helped the actors sort through piles of illegible prompt - copies and alternative versions of different scenes ' How can the theatre ever be taken seriously if writers will not trouble to look after their own scripts ?
الصفحة 79
It was quiet and liberal and polite and exactly the sort of thing for which I recently ( and unfairly ) suggested William Morris might be gently mocked . Exactly where one finds a really workable , politically - valuable mode of civil ...
It was quiet and liberal and polite and exactly the sort of thing for which I recently ( and unfairly ) suggested William Morris might be gently mocked . Exactly where one finds a really workable , politically - valuable mode of civil ...
الصفحة 174
dough that's been worked over and kneaded , but the yeast was the sort of sensitivity that enables the actors to pick up the secret play – which runs parallel and through the apparent play – and to share their perception with the ...
dough that's been worked over and kneaded , but the yeast was the sort of sensitivity that enables the actors to pick up the secret play – which runs parallel and through the apparent play – and to share their perception with the ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written