To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'Arcy |
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الصفحة 28
The essential realism of the play escaped him , because when he thought of realism in the context of Ancient Rome , he automatically thought of the Roman Authors themselves – whom Shakespeare could not read . Catiline and Sejanus were ...
The essential realism of the play escaped him , because when he thought of realism in the context of Ancient Rome , he automatically thought of the Roman Authors themselves – whom Shakespeare could not read . Catiline and Sejanus were ...
الصفحة 32
The experience I gained at Bartholomew Fair was one which I had thought could only be obtained in the cinema . Plays , to my mind , were normally a fairly small - scale business , which dealt only with such notions as were absolutely ...
The experience I gained at Bartholomew Fair was one which I had thought could only be obtained in the cinema . Plays , to my mind , were normally a fairly small - scale business , which dealt only with such notions as were absolutely ...
الصفحة 119
But 25 % thought it was the Republic and identified Northern Ireland as a foreign nation . 84 % rejected the suggestion that England had always had the best interest of Ireland at heart : yet they were not hostile to the English and ...
But 25 % thought it was the Republic and identified Northern Ireland as a foreign nation . 84 % rejected the suggestion that England had always had the best interest of Ireland at heart : yet they were not hostile to the English and ...
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المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Sean OCasey Observer 27 September 1964 | 24 |
Ben Jonson Gambit No 22 1972 | 37 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
able action actors actually already appeared Arden Army artistic audience authors become believe bring British called carried cause character complete Connolly Conor Cruise O'Brien continued course critics D'Arcy dance deal developed director doubt drama Dublin effect English entire established fact force Hamlet hand happened Henry idea interest Ireland Irish Jonson King Labour least lines lives look means meeting movement nature never official once organisation original particular Party performance perhaps persons play Playwright political possible present production question reason scene script seemed seen Shakespeare social Socialist sort stage story structure surely taken theatre theatrical thing thought traditional understand union village whole writing written