To Present the Pretence: Essays on the Theatre and Its Public, Including Two Essays Written in Collaboration with Margaretta D'ArcyEyre Methuen, 1977 - 216 من الصفحات |
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الصفحة 27
... traditional Marlovian / Kyddist threats of blood and disaster which for twenty years had filled the pit and disgusted the judicious . How did he manage to brazen out the contradiction ? Simply because the environment of the Ghost was so ...
... traditional Marlovian / Kyddist threats of blood and disaster which for twenty years had filled the pit and disgusted the judicious . How did he manage to brazen out the contradiction ? Simply because the environment of the Ghost was so ...
الصفحة 113
... traditional image of a national martyr ) : if in England , we were more concerned to convey the complexities of Britain's imperial legacy across the water . In the event , a Dublin production was the first possibility which offered ...
... traditional image of a national martyr ) : if in England , we were more concerned to convey the complexities of Britain's imperial legacy across the water . In the event , a Dublin production was the first possibility which offered ...
الصفحة 151
... traditional religious forms ( such as the Chhau ) in order to preserve the Kurmis in their traditional social place i.e. down at the bottom , where they own no land and are , as like as not , paid for their work on the landlords ...
... traditional religious forms ( such as the Chhau ) in order to preserve the Kurmis in their traditional social place i.e. down at the bottom , where they own no land and are , as like as not , paid for their work on the landlords ...
المحتوى
17 | 51 |
Summer 1967 | 61 |
The Third World seen from the First New Theatre | 152 |
حقوق النشر | |
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action actors Aldwych appeared Arden Armstrong's Last Goodnight Army artistic audience authors believe Brecht Britain British British Equity called Carnival character Chhau Chhau dances Connolly's continued course cycle dance dialogue director doubt drama dramatist Dublin English episodes Equity essays fact film French Ghost Hamlet happened Henry idea Ireland Irish James Connolly John Arden Jonson killed King Labour London Margaretta D'Arcy masks means meeting ment movement murder never official Official Sinn Fein organisation Oswald Party performance perhaps persons play Playwright political possible present Prisoners production Proinsias Mac Aonghusa recognised rehearsal Republican revolution role scene script secret play seemed Serjeant Musgrave's Dance Shakespeare social Socialist soldiers sort speeches stage stage-directions story structure style theatre theatrical theme thing trade union traditional Vietnam village W. B. Yeats whole words Workers writing written